One of Cultural Studies more interesting scholars is Andrew Ross. Besides being an activist, being infamously involved in the Sokal affair (physicist Alan Sokal managed to get a nonsensical article published in the journal with Ross on the editorial board), and being brave enough to ethnographically immerse himself in the life of “Celebration, Florida”, a constructed town by the Disney corporation (as an alternative form of post-Sokal sabbatical reorientation), he also wrote quite a famous book on the conditions of labor in the new neoliberal climate: Nice Work If You Can Get It.
On Friday, October 23 one of Belgian’s leading sociologists and dance critics Rudi Laermans presents his new book Moving Together: Theorizing and Making Contemporary Dance in the Kaaitheater (Brussels). In this book Laermans analyzes contemporary dance through a combination of dance studies and sociology.
Recently there has been an impressive amount of publications in French on the cultural as well as the societal value of the humanities (Yves Citton) or, more specifically of literature (Tzvetan Todorov, Antoine Compagnon, Jean-Marie Schaeffer, among others). The new book by William Marx, a world-leading voice in the field of literary studies (see for instance his L’Adieu à la littérature, 2005), does just this and simultaneously brings forth something completely different, and that is one of the many reasons to read it urgently.
Book presentation of Bojana Kunst’s ‘Artist At Work: Proximity of Art and Capitalism’. 1/10 in De Vooruit, Gent
When Belgian philosopher Dieter Lesage was invited to write an introductory text for the catalogue of German artist Ina Wudtke Lesage slightly changed the proposal. Rather than describing Wudtke’s artistic “products”, his “Portrait of the Artist as a Worker” describes what the artist does when she works:
“You are an artist and that means: you don’t do it for the money.