Particularly interesting for cultural studies students with an interest in Eastern Europe and Russia is the lecture series on Russia’s place in the world organized by KU Leuven’s Centre for Russian Studies in collaboration with Bozar. Continue reading
The publisher calls it an “introduction” to the works, the authors, the currents, and the contexts of the European avant-gardes in the period 1905-1935 (three decades that in Anglo-Saxon criticism are often called “High Modernism”, a powerful streamlining of the exceptional dynamism and diversity of these years). But this is really not the best word to qualify the “portable guide” proposed by one of the leading voices in the field. Continue reading
