Internet culture has made copy and paste, sampling, “uncreative” or “unoriginal” writing, as Kenneth Goldsmith or Marjorie Perloff like to say – in short all kind of modern day versions of imitation – fashionable once again. Continue reading
Category Archives: Book review
A new comix autobiography
Jean-Christophe Menu is one of the major voices of alternative comics in France, both as an author and as the co-founder of L’Association, the leading publisher of French commix in the period of his 20 years editorship (he resigned a couple of years ago). Continue reading
Another way of telling
Long Stories Cut Short. Fictions From the Borderlands is an amazing book and probably also the most direct, honest and useful book that I’ve recently read. Continue reading
Benjamin Fondane or the Unfilmable Scenario
When new media appear, McLuhan argues, they tend to absorb old media, the latter surviving as “content” of the former. Continue reading
Old Books, New Ideas
Axel’s Castle, an essay by Edmund Wilson on the living literature of its time (the book was published in 1931 and never out of print) is a thrilling read. The subject has everything we can imagine to bore us today: we know, or think we know, what the good modern writing of the first decades of the 20th Century was; the literary essay is no longer a genre with great sex-appeal; the authors under scrutiny are literary monuments that frighten us (Yeats, Valéry, Eliot, Proust, Joyce, and Stein) and what to think of a book that aims to construct a canon, something of which we are now afraid? Continue reading
Faking It? On the pseudo of much neo
Despite all the talk on the end of modernism, our basic cultural regime is still that of the new: what is new is good, the newer is always better and the best is yet to come. The craving for novelty and innovation is definitely worthwhile (after all, it is not easy to find something really new: an original idea is as difficult to find as a good man). Continue reading
A Book, An Endless Love Affair
BUS SPOTTING + A STORY, a collaborative work by Paula Roush (images) and Mireille Ribière (text) is a work to fall in love with. It is also the perfect example of what Borges called a book of sand – that is, a work that is apparently simple but actually infinite, since each time one reopens the book, it proves to have lost the pages one already knew while surprising the reader with new pages that she had never seen before Continue reading
