The Screenwriter’s Bible
Applied Narrative / Book review / Cultural Theory and Concepts

The Screenwriter’s Bible

There are countless books on “how to write”, and the number of topics they cover, the types of audiences they cater to, the dreams and ambitions they may help or fail to realize, the styles they use, the tricks of the trade they offer (for free or for sale), the profiles of authors that take the risk of giving advice to future competitors, is even bigger. Continue reading

Relaunching the European Avant-Gardes
Book review / Cultural Theory and Concepts

Relaunching the European Avant-Gardes

The publisher calls it an “introduction” to the works, the authors, the currents, and the contexts of the European avant-gardes in the period 1905-1935 (three decades that in Anglo-Saxon criticism are often called “High Modernism”, a powerful streamlining of the exceptional dynamism and diversity of these years). But this is really not the best word to qualify the “portable guide” proposed by one of the leading voices in the field. Continue reading

French Cartoon Art in the 1960s and 1970s
Book review / Cultural Theory and Concepts

French Cartoon Art in the 1960s and 1970s

Launched in 1959 by René Goscinny and Jean-Michel Charlier, partially in reaction to the unfair labor conditions offered by the then leading comics magazines, Pilote is considered today the publication that made the bridge between traditional children and adolescent comics magazines such as Tintin or Spirou and adult comic journals such as Fluide Glacial and Métal Hurlant (which will even develop a US sister publication). Continue reading