An archaic theme plays out in the interior world of a wealthy nuclear family. The superficiality and formality with which the members of the family relate to one another, in speech and interaction, creates a sense of unreality, planting a seed of doubt in the viewer’s mind as to the plane on which the drama unfolds.
The French twentieth-century photographer Robert Doisneau has become synonymous with his image of Le baiser de l’hôtel de ville (1950), which shows a mise en scène of a couple embracing amidst the street’s hustle and bustle.
Everybody knows the situation: a delayed flight, and nothing more to read. Airport literature is then the answer to all our anxieties. In this case, it was entitled Swing Time (2016, Penguin edition in 2017) and its author is Zadie Smith.
James I. Porter’s “Disfigurations: Erich Auerbach’s Theory of Figura” (Critical Inquiry, vol. 44-1, 2017, pp., 80-113) is one of the best essays I’ve read in recent months.
Tourism is big business and “literary” travel guides are often marketed as culturally correct tools to upgrade the experience of the journey, be it abroad or at home. The new book by Eric Hazan (a publisher and political activist born in 1935 whose crisp and provocative ways of writing and thinking can be given as an example to many of those who are much younger than him) is not a book of this kind.
What Is Curiosity? How Do We Question? What Are We Doing Here? What Do We Want to Know? The award-winning Canadian writer Alberto Manguel explores these, and thirteen other equally poignant questions in his book Curiosity, published by Yale University Press (2015).
In the field of electronic literature, the name of J.R. Carpenter, a Canadian-born multimedia artist, writer, researcher, and performer, is since many years a major reference.