The publisher calls it an “introduction” to the works, the authors, the currents, and the contexts of the European avant-gardes in the period 1905-1935 (three decades that in Anglo-Saxon criticism are often called “High Modernism”, a powerful streamlining of the exceptional dynamism and diversity of these years). But this is really not the best word to qualify the “portable guide” proposed by one of the leading voices in the field.
Le Château (“The Castle”) is a two hundred pages mute graphic novel by the Belgian artist Olivier Deprez. First published in 2002, this reinterpretation in expressionist black and white woodcuts of Kafka’s famous novel was immediately recognized as a masterpiece of modern graphic storytelling and had rapidly become a cult album.
Over the past two years, CS Digital has been partnering up with Europeana – Europe’s most trusted source of digital cultural heritage objects – to promote photographic heritage via the ‘Thematic Collection’ on photography.
Launched in 1959 by René Goscinny and Jean-Michel Charlier, partially in reaction to the unfair labor conditions offered by the then leading comics magazines, Pilote is considered today the publication that made the bridge between traditional children and adolescent comics magazines such as Tintin or Spirou and adult comic journals such as Fluide Glacial and Métal Hurlant (which will even develop a US sister publication).
A reading suggestion for the summer: Traversals: The Use of Preservation for Early Electronic Writing by Stuart Moulthrop and Dene Grigar and with foreword by Joseph Tabbi, described as “An exercise in reclaiming electronic literary works on inaccessible platforms, examining four works as both artifacts and operations.”
For many decades, scholars of adaptation studies have been quarreling on the flaws and merits of the so-called fidelity issue, that is the (biased) idea that the novel is always better than the film and that the value of a movie thus depends on its more or less faithful recreation of the original, whatever all these terms (recreation, faithful, original) may mean.
How do we respond to the current ecological issues and how much of environmental consciousness is getting to us? How can we, collectively or individually, improve the natural environment within the city of Leuven? What are the most pollution-free sites in Leuven and how to visit them?