Launched in 1959 by René Goscinny and Jean-Michel Charlier, partially in reaction to the unfair labor conditions offered by the then leading comics magazines, Pilote is considered today the publication that made the bridge between traditional children and adolescent comics magazines such as Tintin or Spirou and adult comic journals such as Fluide Glacial and Métal Hurlant (which will even develop a US sister publication).
A reading suggestion for the summer: Traversals: The Use of Preservation for Early Electronic Writing by Stuart Moulthrop and Dene Grigar and with foreword by Joseph Tabbi, described as “An exercise in reclaiming electronic literary works on inaccessible platforms, examining four works as both artifacts and operations.”
For many decades, scholars of adaptation studies have been quarreling on the flaws and merits of the so-called fidelity issue, that is the (biased) idea that the novel is always better than the film and that the value of a movie thus depends on its more or less faithful recreation of the original, whatever all these terms (recreation, faithful, original) may mean.
This is not a new book and many readers may find it pathetically old-fashioned. Yet this collection of writings on art with a capital A by an author often discarded as typically WASP is doing what so much modern art criticism seems no longer “capable and willing” of doing, as we are asked by the air hostess when boarding the plane and being offered an exit seat:
I first read about the work of the Observatório de Favelas in the great book Radical Cities by Justin McGuirk (Verso, 2014). This organization in the vast and sprawling favela Complexo da Maré in Rio De Janeiro was founded by the social geographer Jailson de Souza e Silva. Besides being a place for research about life in the favelas, the organization also houses the Escola Popular de Comunicação Crítica (ESPOCC).
Recently Charlie Johns edited an extremely interesting book that works through the argument that neurosis is the dominant condition of our society today.
Food is a key theme in cultural studies, but often the approach focuses on the negative or problematic aspects of it: anorexia and other eating disorders, obesity and fat studies, outdoor eating rituals and social distinction, the critique of deeply rooted national preferences as a form of modern “mythology” (in the sense of Roland Barthes), the commercialization of snootiness, and the relationship between alimentary habits and climate change.