“Abstract comics” are a vital strand of contemporary avant-garde comics, nowadays well-represented and largely accepted in various countries and traditions.
Sianne Ngai’s Our Aesthetic Categories (Harvard UP, 2012), which makes a plea to broaden the intellectual and terminological toolkit of our contemporary ways of experiencing culture, has been dramatically important in the fine-tuning of older concepts and frameworks
I was very jealous of this book’s title, which immediately caught my eye (the dust cover, available in three colors, is no less intriguing) and now, after reading it, I am even more than jealous of the author since Flintstone Modernism is a great read and a brilliant example of the holistic approach of art and history that represents, for me, the best of cultural studies.
There is no real English translation for the French word « fait divers », which refers to the smaller news items, often purely anecdotal and without any special interest –except for the public that has always devoured them (another French term is “les chiens écrasés”, the crushed dogs being also the traffic victims, of course).
From February 28th until the 14th of March, the exhibition “Beyond”, produced by 7 students of the MA in Cultural Studies featured at the Agora Learning Centre in Leuven.
There are countless books on “how to write”, and the number of topics they cover, the types of audiences they cater to, the dreams and ambitions they may help or fail to realize, the styles they use, the tricks of the trade they offer (for free or for sale), the profiles of authors that take the risk of giving advice to future competitors, is even bigger.
If popular culture is culture for the millions, entertaining and easy to understand, many great readers and critics are well aware of the fact that this fundamental openness is not to be confused with shallowness or lack of sophistication.