“Abstract comics” are a vital strand of contemporary avant-garde comics, nowadays well-represented and largely accepted in various countries and traditions.
Sianne Ngai’s Our Aesthetic Categories (Harvard UP, 2012), which makes a plea to broaden the intellectual and terminological toolkit of our contemporary ways of experiencing culture, has been dramatically important in the fine-tuning of older concepts and frameworks
Much like scents, flavours and music, photographs are powerful triggers of memory. So what better medium to recall a past as recent and as iconic as early postwar Europe…? For about a year, the consortium involved in the project ‘50s in Europe Kaleidoscope’ has been diving into collections of libraries, archives and commercial agencies across Europe, to trace the tracks of the fifties in photography.
La Maison d’ailleurs (“The House of Elsewhere”) is a Swiss museum exclusively devoted to the world of science-fiction (http://www.ailleurs.ch/en/). It currently hosts a major exhibition, Mondes Imparfaits/Imperfect Worlds, on the famous Belgian comics series, The Obscure cities, by François Schuiten and Benoît Peeters.
I was very jealous of this book’s title, which immediately caught my eye (the dust cover, available in three colors, is no less intriguing) and now, after reading it, I am even more than jealous of the author since Flintstone Modernism is a great read and a brilliant example of the holistic approach of art and history that represents, for me, the best of cultural studies.
ART@VSAC is an exhibition of artworks selected as a part of the seventh edition of the Visual Science of Art Conference (VSAC), which takes place in Leuven from 21 to 24 August 2019.
There is no real English translation for the French word « fait divers », which refers to the smaller news items, often purely anecdotal and without any special interest –except for the public that has always devoured them (another French term is “les chiens écrasés”, the crushed dogs being also the traffic victims, of course).