Much like scents, flavours and music, photographs are powerful triggers of memory. So what better medium to recall a past as recent and as iconic as early postwar Europe…? For about a year, the consortium involved in the project ‘50s in Europe Kaleidoscope’ has been diving into collections of libraries, archives and commercial agencies across Europe, to trace the tracks of the fifties in photography.
La Maison d’ailleurs (“The House of Elsewhere”) is a Swiss museum exclusively devoted to the world of science-fiction (http://www.ailleurs.ch/en/). It currently hosts a major exhibition, Mondes Imparfaits/Imperfect Worlds, on the famous Belgian comics series, The Obscure cities, by François Schuiten and Benoît Peeters.
ART@VSAC is an exhibition of artworks selected as a part of the seventh edition of the Visual Science of Art Conference (VSAC), which takes place in Leuven from 21 to 24 August 2019.
The iconic image from Funny Face (dir. Stanley Donen, 1957), one of the films for which Audrey Hepburn is best known, is the extreme close-up of her facial features—her brows, eyes, nostrils and lips.
Movie scripts are weird. They are neither the works themselves (after all, movies are supposed to replace them), nor the simple blueprint of these works (for the production of the film does not necessarily program their obsolescence).
Everyone should head south (in Belgium) this summer for the splendid exhibit at the Museum of Photography in Charleroi on a special genre of photobooks, the so-called “country portraits.”
Curated by Tamara Berghmans and still on display till Oct. 6th, the FOMU (Antwerp Photography Museum) exhibit on the Belgian photobook is an absolute must see. As a specific photographic host medium, the photobook is definitely not new.