Have you ever thought of arts modernism beyond a Eurocentric perspective? Have you ever imagined modernism can be expressed alternatively? Have you ever known that there was a huge connection between Belgian and Argentine arts?
According to annual tradition, the cultural policy event of the Cultural Studies program takes place towards the end of the academic year. This year the event is called D.I.Y CAFe and is organized by us: Cathelijne Jennes, Lan Jacobs, Laure Verstreken and Rani De Leener. The name stands for Do It Yourself Cultural Arts Fair event.
Do you like watching crime series on TV or on streaming services? If so, the DETECt project needs you!
While we are stuck in isolation, online video streaming can offer some ways to pass the time. Recently two very interesting shows from the 1970s were posted on Youtube: UFO and Space: 1999.
There was a time, approximately around the beginning of the second half of the Twentieth Century, when comics were considered as a mere tool for entertainment. Back then, the academic debate on the use of violence in comics was mainly focused on the dangers of displaying gruesome acts by means of such a popular medium, accessed by such a young readership.
IN / BETWEEN PLACES brings together artists and poets/writers who contributed to PLACE, an online magazine that promotes encounters between various artistic practices and theoretical writings.
We often equate the life of an independent artist with one of glamor and embellishment, spending their euros from sales on tubes of paint or a brick-walled studio with big windows and natural light.
Do you want to know what happens behind the scenes of museums, archives and libraries? Have you ever wondered what these organisations do to share their collections with audiences? Would you like to learn how to build a strong digital community for cultural heritage?
The Bibliotheca Wittockiana is the museum of book arts and bookbinding in Brussels. Besides maintaining a prestigious collection of both historical and contemporary books (and having a weirdly large number of baby rattles), they also host a few temporary exhibitions each year.
The Dutchman Geert Jan Jansen (Waalre, 1943) is an art forger who was exposed and arrested in 1994. He was, for example, so familiar with Karel Appel’s style that the artist himself could not see the difference between an original and a counterfeit work.